Sometimes Yoakum claimed that he was a full-blooded “Nava-joe” Indian, one of twelve or thirteen children born to a farmer on an Indian reservation in Window Rock, Arizona. He dated his works with a rubber stamp - an oddly impersonal, labor-saving device.Īlthough Joseph Yoakum gave vastly different accounts of his background, he was, throughout his life, classified as an African American. All of his drawings have titles that grew longer and more specific over the years. Yoakum’s drawings can be considered memory images growing out of either actual or imagined experiences. He traveled a great deal, beginning in his early teens when he ran away from home and became a circus handyman. Yoakum maintained he had seen all the places represented in his drawings, a statement that may not be true in some instances. his period of greatest activity - 1965 to 1970 - when he usually made one drawing a day. Most of his work consists of radiantly colored landscapes with mountains, water, trees, and winding roads in abstract and complex configurations. Andes Mountains Peru So America, circa 1960sĬolored pencil and ballpoint pen on paper
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